![]() ![]() Projects created from templates saved with record-enabled tracks now open with those tracks record-enabled.The Tab to Transients key command now works reliably with audio files that have not yet been analyzed for transients.Regions created on MIDI tracks are now named for the track, rather than being named “MIDI region.”.The Pickup Clock key command now moves automation with regions, or asks if automation should be moved, depending on the move automation setting.Auto-colorize tracks now works for Software Instrument tracks as expected.Restores abiliity for regions on frozen tracks to mute when soloing other regions.Resolves an issue where the visible area in the Piano Roll could unexpectedly shift in pitch when entering notes into the editor.The Create Note command from the contextual menu in the Piano Roll now creates a note at the pitch where the pointer originally clicked.Paste at Original Position now works in the Piano Roll.Fixes an issue where it was not possible to access tools in the Piano Roll using the right mouse button to open a contextual menu.The Launchpad Pro Mk3 control surface now works properly with Logic Pro.Volume and Pan can now be reliably adjusted using an attached control surface or MIDI Controller in cases where the setting Record Automation with MIDI Region is enabled.The content of Apple Loops dragged into projects with time signatures other than 4/4 is no longer unexpectedly offset.Restores ability to assign tracks to external MIDI by pressing Option while importing a Standard MIDI file.The Loudness Meter now continues to show values after a bounce.Resolves an issue where unsoloing a track in the channel strip inspector would also unsolo all other soloed tracks.Fixes an issue where pasted channel strip settings could be applied to a selected channel strip, instead of the channel strip where the paste command menu item was chosen from.The Locate button in the Sampler missing files dialog now works as expected.Fab Filter Pro-Q settings are now retained when round-tripping projects between Logic Pro for Mac and Logic Pro for iPad.The Range setting in the Pitch Correction plug-in now recalled correctly after the plug-in is closed and then re-opened.Comp segments created by dragging from right to left now play back correctly.Logic Pro no longer creates empty audio tracks when recording in Cycle mode if the recording setting Create Tracks and Mute in Cycle Mode is enabled, the audio file type is set to Wave, and there is a quantize value set.Recording MIDI on Aux sub-tracks of a multi output instrument now works.Improves stability while scanning for Audio Units.Resolves an issue where Logic Pro might quit unexpectedly when anayzing audio files for Flex editing while running in Rosetta mode.Fixes an issue where Logic Pro could quit unexpectedly when launched with the option to create a new empty project.Fixes an issue where Logic Pro could quit unexpectedly when Delete and Shuffle Left is performed with a Marquee selection.Fixes an issue where Audio Units Software could cause Logic Pro to quit unexpectedly when MIDI 2.0 is enabled in the settings for Logic Pro.Resolves an issue where 32-bit audio files might be damaged when adjusting their speed in Logic Pro.Fixes an issue where adjusting the Threshold control in the Strip Silence could cause Logic Pro to quit unexpectedly.You're guaranteed to get pleasing sounds right from the get-go. Next time you use Logic, open it up and see for yourself. If you haven't quite wrapped your head around what the different synth types do, then don't worry, there are tons of presets that you can click through for a quick start. ![]() And Sync is used for aggressive leads and basses. Wavetable, on the other hand, produces clean digital sounds. The Analog engine, for example, is perfect for classic synth leads, pads, and basses. Under the hood, there are four synthesizer engines that you can use: Analog, Sync, Wavetable, and FM. It looks modern, is logical to navigate, and creating sounds is easy to do without much knowledge of what each knob does. In other words, you can choose the waveform using the top section, and shape the sound using the bottom section.Ĭompared to synthesizers like the ES 2 (which we will look at later), Retro Synth is far less intimidating. Retro Synth is laid out in two main sections with the oscillator and filter on top, and the filter envelope, amp envelope, and LFO on the bottom. ![]()
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